Features
Special Features
- Interviews
- Alfredo Garcia
- Antix
- Artax Interview
- Asher Ezra
- Astral Projection
- Bamboo Forest
- Bluetech
- Bufo Interview
- D-Nox
- Damage
- Decoy
- Dj Andrreas
- DJ Anti
- DJ Banel
- DJ Edoardo Interview
- DJ Nadi
- DJ Rashka Interview
- DJ Schwa
- DJ Slater
- DJ Zombi
- Edorado
- Etic
- Franny
- Freakulizer/Thujon
- Gaspard
- Gaudium
- Hujaboy / E-Jekt interview
- Illusion of Self
- Infected Mushroom
- Legohead
- Luna Orbit Interview
- Matt BooM Interview
- Mechanix
- Mindelight Interview
- Minimal Criminal
- Mist
- Motion/Tetraktys
- NASA
- NRS/Serious Porn Collector
- Ozzy
- Paste / LaBaaz
- Perfect Stranger / BLT
- Psychaos
- Quantum
- Redline Interview
- Richard Ahlberg Interview
- S-Range
- Sensum
- Side-A
- Son Kite
- Son Kite - Stomp Session
- Sonic Cube / Sonnenvakuum
- Stella Nutella
- Sydney - Progress Interviews
- Taku
- Tetrameth
- Threshold Productions
- Ticon
- Ticon Interview
- TimeLock Interview
- Triptych
- Tsekas
- Vibrasphere
- Wizard Lizard
- Wizdumb
- X-Noize
- Yotopia
- Articles
- A brief overview of Australian Psy-Trance
- Ali 23's Conspiracy Corner
- Bush Beats: A Journey into the Heart of Tribal Techno-Prog with SUNRUNNER
- Goa Trance - The Phenomenon
- MasterDamus VJing Tools
- New Caledonia - Place of Psychedelic Dreams
- Online PsyTrance Chatroom
- Rainbow Serpent Artlicle Part 2
- The Flop Industry / by DJ Yaniv Tal
- The Tokyo Techno Tribes
- Thoughts on Doofing
- Music Reviews
- Atomic Pulse - Direct Source album review
- Beef Records- Prime Cuts
- Cosmic Conspiracy Records - Contact Lens
- Devil's Mind Records - Va - Refused
- Domo Records - VA - G-Spot compiled by Huda-G
- Drumatik- Peak Process
- Etic - Feedback
- Fatali - Dawn
- Fog - Lust
- Future Prophesy - Body Shaker
- Groove Zone - Aerocruz
- Iboga - Set:6- Evolved - Compiled by Freq
- Insane Creation - Connected
- Meller - Rockable
- Moonflower Productions -VA- Grand Avenue Review
- Nervine Records - VA - Groove Control
- Panick - Lab-O-Matic
- Parvati Records presents Grapes of Wrath - Tits on Fire
- Peak Records - Utopeak Review
- Phony Orphants - It'Cetra Album Review
- Prisoners Of The Sun (POTS)
- Pump Fiction compiled by Mechanix
- Quantum - Kiss the Sound
- Sensum - Nocturnal Transmissions
- Sonic Cube - Cloud Buster EP w/ andre absolut rmx
- Sonic Cube - Filter
- System Nipel - Deep Into Matter
- Tactic Mind - Top of the Hill
- Tegma - Around the World in 80 Minutes
- Tetrameth - Psychedelic Pyrotechnics
- Threshold Productions and Sonify - No More Silence 12"
- Time Lock - Power Charge
- Tribal Vision - VA- Street Art
- Tribal Vision -VA - Inner Circle Review
- Tribal Vision Records - Lime Light CD Review
- Tupan / Ear Peaks - Kwarup
- VA- 'Hyperspatial Chrysalis'
- Very Progressive Records - Sub6 - 7th Son Remixes review
- Zen Mechanics Changa Falls Number 1 on Beatport
- News
RSS Syndication
Subscribe to Features!Contribute
If you would like to contribute Interviews, Articles or News items to be published on the Australiens site, please contact us for more information.
Quantum - Kiss the Sound (BNE/Yoyo)
Article posted by TweeKUniT on 18th Nov 2005
Quantum have always been one of my favourite full-on israeli artists- somehow there sound has a driving minimalism that much israeli trance doesn’t have. He manages to keep his sound contained in powerful driving basslines and more doesn’t let his melody work get as over the top as many “killah” israeli producers do. His latest release on BNE “Kiss the Sound” shows why he part of this massive labels artist roster, being a tidy excursion into the modern israeli full-on sound.
His music is funky, bass-centred trance, in the vein of sub6, pixel, wrecked machines, timelock, etc- but somehow the he keeps it at maybe slight more of a progressive level than many artists have been taking it of late. Its not so much full-flight as it is minimal full on- similar maybe to some of echotek’s latest stuff on their new album. I know this kind of music is a bit harder to come by than a lot of generic full-on, so its nice and refreshing to see a solid release of it.
The album opens with the driving “Viscious Cycles”. Stomping bassline with some powerful synth lines and big acid 303s- this one is definitely for peak morning time. “Push Me Up” with fellow BNE artist Timelock is a great pairing- their production levels are absolutely huuuge. Its amazing how much power and clarity these guys get with their bass sounds and mastering. A bit more funky than the last one, Timelock definitely makes his presence felt.
“Cop Thing” is a bit more experimental than the last couple, a nice interesting bassline this one- and a wicked lead noise, cant get enough. One of the best on the album for me, dancefloor groover. “Need For Lead” – great title to a wicked track. I’m loving how he manages to not take the tracks too “full flight”- keeping the driving bassline the main feature of the track.
The first 4 tracks are stomping 145BPM- with “Rebellion” he takes it down a couple of notches with a more progressive influenced track at 138BPM. Still the famous bassline, but some slinky, more subtle lead work. Groovy stuff. “On the Edge” takes it strait back up to full power- probably one of the most driving, grindy tracks on the album. Darker and more broody than most of the stuff up until this point. My favourite of the whole cd id have to say.
“Awaken” is definitely a bit more melodic- windy psychedelic synths and appegiators dominate. One for when the sun is shining. “Kiss the Sound” keeps on the more day-time kind of theme- bit more positivity to its movement than some of the rest.
“X-per-minute” Quantum returns with his tekky, driving best. This one is very mechanical, the bassline is nice and flatbeat. Interesting break down and end section too…Love it. Closing the disk is Quantum’s remix of Timelock’s hit “Skylines”. Great reworking of what would have been a hard track to “outpower”. Gidi has opted for a more driving, grounded remix- quite a worthy one. Works like a charm late in the morning.
Over and all, while I don’t think Quantum – Kiss the Sound crosses any new frontiers, it delivers a solid, workable album in a sound that is a bit rarer than most. I really love the basslines in this cd, they give the track a kind of minimal drive that definitely tweeks my units… Gidi’s production quality is crispy and clear and reflects his years in the industry- well don’t on a solid album release.
7/10